Thursday, August 28, 2008
FRAME 2 - USE OF ENGLISH - PAGES 118 AND 119 (COUNTODOWN TO FIRST CERTIFICATE)
Thursday, August 14, 2008
UNIT 11 - LISTENING (COUNTDOWN TO FCE)
a waterproof camera
- come up with sth: phrasal verb to suggest or think of an idea or plan: She's come up with some amazing scheme to double her income.
- overhear: verb [I or T] overheard, overheard to hear what other people are saying unintentionally and without their knowledge: I overheard a very funny conversation on the bus this morning.[+ object + ing form of verb] He overheard his daughter telling her teddy not to be so naughty.[+ object + infinitive without to] We overheard them say that they didn't really like the meal.I'm sorry, I couldn't help overhearing.
Wednesday, August 13, 2008
Unit 1 - FRAME 2 - USE OF ENGLISH - COLLOCATIONS/USE OF ENGLISH (part I)
Example 'Utter disaster' is a fixed collocation, as there are few words that can be used instead of 'disaster'. 'Make a cake' is a freer collocation, as there are many words that can be used instead of 'cake'.
In the classroom Collocations often have to be memorised; teachers can help learners focus on and remember collocations by exposing them to authentic texts, and by helping students to record collocations in their notebooks.
Collocation with advanced levels 1 - not entirely...proper/appropriate/good?
This article gives an overview of the topic of collocation in English language teaching and shows how this is a key area of study for advanced level students. This is the first of two articles on the topic. The second article - Collocation with advanced learners 2 - provides classroom activities for the study and practice of collocations.
"The ability to deploy a wide range of lexical chunks both accurately and appropriately is probably what most distinguishes advanced learners from intermediate ones." (Thornbury 2002:116)
Problems with advanced levels
Many advanced students tend to have a number of distinguishing (negative) characteristics. First, they often lack motivation, especially if not working towards an external examination. This is compounded by the fact that they know, or feel they know, English grammar, having recycled the major structures countless times in previous years. In addition, they usually possess a good enough active vocabulary to get by in most everyday speaking situations, and so do not see the necessity for acquiring a lot of new items. Similarly, as many have managed to pass the Cambridge First Certificate exam, they see little need to improve their writing skills. Unless specific lexis related to an individual's work or leisure interests surfaces, novel vocabulary or ways of expressing oneself seem of only passing interest. If teachers content themselves with recycling hackneyed grammar points, or introducing increasingly irrelevant and tortuous new ones, along with rarely-used or over-specific lexis, there is a real possibility that learners will simply switch off. Most, according to Lewis, will in fact remain stuck on the 'intermediate plateau' (2000:) and tend to continue producing both spoken and written language containing unnatural-sounding elements which grate on listener or reader, as words that do not usually co-occur together are thrown up unexpectedly. For example 'in the shell of a nut' (instead of in a nutshell) and 'I have overtaken the fear of driving' (instead of 'I have overcome the fear of driving') are recent examples from my students. If the reader (or listener) is confused, then the writer or speaker is likely to be at best frustrated or at worst completely misunderstood.
Verb + noun
throw a party / accept responsibility
Adjective + noun
square meal / grim determination
Verb + adjective + noun
take vigorous exercise / make steady progress
Adverb + verb
strongly suggest / barely see
Adverb + adjective
utterly amazed / completely useless
Adverb + adjective + noun
totally unacceptable behaviour
Adjective + preposition
guilty of / blamed for / happy about
Noun + noun (also known as compound nouns)
pay packet / window frame
Once grasped, however, this new focus can re-awaken their interest and enthusiasm in the language. Teachers can highlight progress by periodically recording oral contributions and comparing written texts with earlier output and authentic material. Learning collocations, apart from increasing the mental lexicon, leads to an increase in written and spoken fluency (the brain has more time to focus on its message if many of the nuts and bolts are already in place in the form of collocations of varying length). As Lewis says, "fluency is based on the acquisition of a large store of fixed or semi-fixed prefabricated items, which are available as the foundation for any linguistic novelty or creativity." (1997:15) Moreover, stress and intonation also improve if language is met, learnt and acquired in chunks. Quality input should lead to quality output.In seeing real advances in their spoken and written fluency highlighted, and understanding the importance of collocation in aiding these advances, students will, hopefully, be stimulated to increase their own, informed exposure to English. As a result, they will begin to lift clear of the intermediate plateau.
Bruce Williams, teacher, British Council, Lisbon, Portugal
Tuesday, August 12, 2008
SITCOMS AND CARTOONS - WHICH ONE YOU FIND FUNNY? WHY ARE THEY POPULAR? (comparing and contrasting)
Unit 11 - FUNNY OLD WORLD (Countdown to First Certificate)
Monday, August 11, 2008
COUNTDOWN TO FIRST CERTIFICATE- UNIT I
I CAN HEAR MUSIC - THE BEACH BOYS WITH KATHY TROCCOLI
http://www.youtube.com/watch?v=TTY9BRCg-Ec&NR=1
Ahhhhhh oooooo
This is the way
I always dreamed it would be
The way that it is, oh oh
When you are holding me
I never had a love of my own
Maybe that's why when we're all alone
I can hear music
I can hear music
The sound of the city baby seems to disappear
I can hear music
Sweet sweet music
Whenever you touch me baby
Whenever you're near
Lovin' you
It keeps me satisfied
And I can't explain, nono
The way I'm feeling inside
You look at me we kiss and then
I close my eyes and here it comes again
I can hear music
I can hear music
The sound of the city baby seems to disappear
I can hear music
Sweet sweet music
Whenever you touch me baby
Whenever you're near
I hear the music all the time, yeah
I hear the music, hold me tight now baby
I hear the music all the time
I hear the musicI hear the music (baby)
Ahhhhh
I can hear music
I can hear music
The sound of the city baby seems to disappear
I can hear music
Sweet sweet music
Whenever you touch me baby
Whenever you're near
Another song activity - I SAY A LITTLE PLAYER
http://www.youtube.com/watch?v=Ad-J4aaL_IQ&feature=related (Dionne Warwik)
http://www.youtube.com/watch?v=-uE1Dho_3UA&feature=related (Whitney Houston & Natalie Cole)
I SAY A LITTLE PRAYER
DIONNE WARWICK
The moment I wake-up
Before I put on my make-up
I say a little pray for you
While combing my hair now,
And wondering what dress to wear now,
I say a little prayer for you
Forever, and ever, you'll stay in my heart
and I will love you
Forever, and ever, we never will part
Oh, how I love you
Together, together, that's how it must be
To live without you
Would only meen heartbreak for me.
I run for the bus, dear,
While riding I think of us, dear,
I say a little prayer for you.
At work I just take time
And all through my coffee break-time,
I say a little prayer for you.
Forever, and ever, you'll stay in my heart
and I will love you
Forever, and ever we never will part
Oh, how I'll love you
Together, together, that's how it must be
To live without you
Would only mean heartbreak for me.
I say a little prayer for you
I say a little prayer for you
My darling believe me, ( believe me)
For me there is no one but you!
Please love me too (answer his pray)
And I'm in love with you (answer his pray)
Answer my prayer now babe (answer his pray)
Forever, and ever, you'll stay in my heart
and I will love you
Forever, and ever we never will part
Oh, how I'll love you
Together, together, that's how it must be
To live without you
Would only mean heartbreak for me (oooooooooh)