Thursday, August 28, 2008

FRAME 2 - USE OF ENGLISH - PAGES 118 AND 119 (COUNTODOWN TO FIRST CERTIFICATE)

- "a face white with rage": ashen, blanched (pale), bloodless, livid (adjs).
- astonishment: (n) [U] very great surprise: To the astonishment of her colleagues, she resigned. She gasped in astonishment.
- blaze: noun [C] a large strong fire: Firefighters took two hours to control the blaze.
- damage: noun [U] harm or injury: Strong winds had caused serious damage to the roof. Recent discoveries about corruption have done serious damage to the company's reputation. The doctors were worried that he might have suffered brain damage.
- eager: (adj) wanting very much to do or have something, especially something interesting or enjoyable: the children's eager faces. She sounded very eager to meet you. They crowded round the spokesperson, eager for any news.
- elderly: POLITE WORD FOR old: elderly relatives/parents
- harm: noun [U] physical or other injury or damage: Both deny conspiring to cause actual bodily harm. A mistake like that will do his credibility a lot of harm. Missing a meal once in a while never did anyone any harm. You could always ask Jim if they need any more staff in his office - (there's) no harm in asking (= no one will be annoyed and you might benefit). She meant no harm (= did not intend to offend), she was joking. She was frightened by the experience but she came to no harm (= was not hurt).
- injury: noun [C or U] physical harm or damage to someone's body caused by an accident or an attack: a head/back/knee injury. Several train passengers received/sustained serious injuries in the crash. Injuries to the spine are common amongst these workers. They were lucky to escape (without) injury.
- let on: phrasal verb INFORMAL to tell other people about something that you know, especially when it is a secret: I suspect he knows more this than he's letting on.
- object: (v) oppose.
- rage: noun [C or U](a period of) extreme or violent anger: Her sudden towering rages were terrifying. I was frightened because I had never seen him in such a rage before. He flew into a fit of rage over the smallest mistake.
- take action: act.
- wound (INJURY): noun [C] a damaged area of the body, such as a cut or hole in the skin or flesh made by a weapon: a gunshot wound; a chest/leg wound; a flesh (= not deep) wound. He died from multiple stab wounds to the neck and upper body.

Thursday, August 14, 2008

UNIT 11 - LISTENING (COUNTDOWN TO FCE)

Max Von Sydon as priest Merrin (The Exorcist) saying a prayer to Regan (Linda Blair)

a waterproof camera






a goat




I- Multiple matching:
- come up with sth: phrasal verb to suggest or think of an idea or plan: She's come up with some amazing scheme to double her income.
- drawback: disadvantage.
- garbled: adjective If words or messages are garbled, they are not clear and are very difficult to understand, often giving a false idea of the facts: He left a rather garbled message on my answerphone.
- give chase: to go after a criminal quickly in order to catch them.
- overhear: verb [I or T] overheard, overheard to hear what other people are saying unintentionally and without their knowledge: I overheard a very funny conversation on the bus this morning.[+ object + ing form of verb] He overheard his daughter telling her teddy not to be so naughty.[+ object + infinitive without to] We overheard them say that they didn't really like the meal.I'm sorry, I couldn't help overhearing.
- garbled: adjective - If words or messages are garbled, they are not clear and are very difficult to understand, often giving a false idea of the facts: He left a rather garbled message on my answerphone.
- 'vicar: noun [C]- a priest in the Church of England who is in charge of a church and the religious needs of people in a particular area: We were married by our local vicar. [as form of address] Good evening, Vicar!
II- Who said that?
- start sb off: phrasal verb 1- to help someone to start an activity, especially a piece of work: I'll start her off on some fairly basic stuff and see how she gets on. 2- to make someone start to laugh, cry, or talk about something that they often talk about: I could see Emma trying not to laugh and of course that started me off.
WORD POWER - P. 114
- ecstasy (EMOTION): noun [C or U] a state of extreme happiness, especially when feeling pleasure: sexual ecstasyShe threw her head back as if in ecstasy.
- ecstatic: adjective extremely happy: The new president was greeted by an ecstatic crowd.
- ecstatically (adv)
- frown: verb [I] to bring your eyebrows together so that there are lines on your face above your eyes to show that you are annoyed or worried: She frowned at me, clearly annoyed.He frowned as he read the instructions, as if puzzled.
- giggle: [I] to laugh repeatedly in a quiet but uncontrolled and childish way, often at something silly or rude or when you are nervous: Stop that giggling at the back!
- sob: verb [I] -bb- to cry noisily, taking in deep breaths: I found her sobbing in the bedroom because she'd broken her favourite doll.You're not going to help matters by lying there sobbing!

Wednesday, August 13, 2008

Unit 1 - FRAME 2 - USE OF ENGLISH - COLLOCATIONS/USE OF ENGLISH (part I)

Unit 1 - FRAME 2 - USE OF ENGLISH (Countdown to First Certificate)
Studying the brain:
- bump (RAISED AREA) - noun [C] a round, raised area on a surface or on the body: Her bicycle hit a bump in the road and threw her off.Tim had a nasty bump on his head from when he'd fallen over.
- bump - verb [I + adverb or preposition] to travel, usually in a vehicle, in an uncomfortable way because the surface you are moving over is rough: We bumped along the track in our car holding on to our seats.
- bumpy - adjective - not smooth: We drove along a narrow, bumpy road. It might be a bumpy flight (= an uncomfortable and rough flight) because there's a lot of air turbulence ahead.
Collocation
Collocation refers to words that are found together in language. Collocations can be fixed, where it is difficult to replace one of the words with an alternative, or freer, allowing for more choice of words.
Example 'Utter disaster' is a fixed collocation, as there are few words that can be used instead of 'disaster'. 'Make a cake' is a freer collocation, as there are many words that can be used instead of 'cake'.
In the classroom Collocations often have to be memorised; teachers can help learners focus on and remember collocations by exposing them to authentic texts, and by helping students to record collocations in their notebooks.

Collocation with advanced levels 1 - not entirely...proper/appropriate/good?

This article gives an overview of the topic of collocation in English language teaching and shows how this is a key area of study for advanced level students. This is the first of two articles on the topic. The second article - Collocation with advanced learners 2 - provides classroom activities for the study and practice of collocations.
"The ability to deploy a wide range of lexical chunks both accurately and appropriately is probably what most distinguishes advanced learners from intermediate ones." (Thornbury 2002:116)

Problems with advanced levels

Many advanced students tend to have a number of distinguishing (negative) characteristics. First, they often lack motivation, especially if not working towards an external examination. This is compounded by the fact that they know, or feel they know, English grammar, having recycled the major structures countless times in previous years. In addition, they usually possess a good enough active vocabulary to get by in most everyday speaking situations, and so do not see the necessity for acquiring a lot of new items. Similarly, as many have managed to pass the Cambridge First Certificate exam, they see little need to improve their writing skills. Unless specific lexis related to an individual's work or leisure interests surfaces, novel vocabulary or ways of expressing oneself seem of only passing interest. If teachers content themselves with recycling hackneyed grammar points, or introducing increasingly irrelevant and tortuous new ones, along with rarely-used or over-specific lexis, there is a real possibility that learners will simply switch off. Most, according to Lewis, will in fact remain stuck on the 'intermediate plateau' (2000:) and tend to continue producing both spoken and written language containing unnatural-sounding elements which grate on listener or reader, as words that do not usually co-occur together are thrown up unexpectedly. For example 'in the shell of a nut' (instead of in a nutshell) and 'I have overtaken the fear of driving' (instead of 'I have overcome the fear of driving') are recent examples from my students. If the reader (or listener) is confused, then the writer or speaker is likely to be at best frustrated or at worst completely misunderstood.

Types of collocation
Learners need to be aware of the fact that words, in Thornbury's phrase, "hunt in packs." (1998:8) That is to say, all words have their own, unique collocational fields.Collocations can be defined in numerous ways (see Moon 1997:43), but for pedagogical purposes it is more practical to restrict the term to the following: two or three word clusters which occur with a more than chance regularity throughout spoken and written English. Below are the most easily distinguishable types:

Verb + noun
throw a party / accept responsibility
Adjective + noun
square meal / grim determination
Verb + adjective + noun
take vigorous exercise / make steady progress
Adverb + verb
strongly suggest / barely see
Adverb + adjective
utterly amazed / completely useless
Adverb + adjective + noun
totally unacceptable behaviour
Adjective + preposition
guilty of / blamed for / happy about
Noun + noun (also known as compound nouns)
pay packet / window frame
Why is collocation important for advanced learners?
"Students with good ideas often lose marks because they don't know the four or five most important collocations of a key word that is central to what they are writing about." (Hill 1999:5) As a result, they create longer, wordier ways of defining or discussing the issue, increasing the chance of further errors. He cites the example: "His disability will continue until he dies" rather than "He has a permanent disability." (2000:49-50) There is no magic formula for correcting these mistakes. Collocations have to be acquired both through direct study and large amounts of quality input. The very concept of collocations is often not easy for learners. The essentially simple idea that word choice is seriously limited by what comes before and after "is perhaps the single most elusive aspect of the lexical system and the hardest, therefore, for learners to acquire" (Thornbury 2002:7)
Once grasped, however, this new focus can re-awaken their interest and enthusiasm in the language. Teachers can highlight progress by periodically recording oral contributions and comparing written texts with earlier output and authentic material. Learning collocations, apart from increasing the mental lexicon, leads to an increase in written and spoken fluency (the brain has more time to focus on its message if many of the nuts and bolts are already in place in the form of collocations of varying length). As Lewis says, "fluency is based on the acquisition of a large store of fixed or semi-fixed prefabricated items, which are available as the foundation for any linguistic novelty or creativity." (1997:15) Moreover, stress and intonation also improve if language is met, learnt and acquired in chunks. Quality input should lead to quality output.In seeing real advances in their spoken and written fluency highlighted, and understanding the importance of collocation in aiding these advances, students will, hopefully, be stimulated to increase their own, informed exposure to English. As a result, they will begin to lift clear of the intermediate plateau.
The teacher's role
Hill argues that the problem for advanced learners is not so much with encountering vast numbers of new words (although extensive reading and listening which will contain new lexis is no doubt necessary) as with working with already half-known words and exploring their collocational fields. Ellis claims acquisition can be hastened "as a result of explicit instruction or consciousness-raising." (1997:133) The most useful role of the teacher, therefore, is in consciousness-raising, in encouraging noticing on the part of the learners. In other words, the teacher becomes more of a learning manager, giving students strategies to use outside the classroom while at the same time providing exposure to as much appropriate, quality language as possible.
Implications
"No noticing, no acquisition." (Thornbury 1997)Teachers must raise learners' awareness of collocation as early as possible. Students who meet words initially with their common collocates use them far more naturally, pronounce them better and have a greater amount of ready-made language at their disposal to aid fluency, allowing more time to focus on the message. Learning lexical strings first seems to enable students to extract the grammar themselves as they begin analysing acquired language.For advanced learners, especially if new to the concept, teachers need to use activities highlighting collocation. They should also stress the importance of learners actively seeking an increasingly large amount of exposure to primarily written but also spoken language outside the classroom, and noticing collocations within that material.
Conclusion
Rosamund Moon calls just looking at words "dangerously isolationist" (1997:40), and goes on to say that "words are again and again shown not to operate as independent and interchangeable parts of the lexicon, but as parts of a lexical system (ibid:42). An understanding of collocation is vital for all learners, and for those on advanced level courses, it is essential that they are not only aware of the variety and sheer density of this feature of the language but that they actively acquire more and more collocations both within and outside the formal teaching situation. It is only by doing this through increased exposure that they can be assured of leaving the intermediate plateau behind.
Bibliography
Coe, Norman 'Vocabulary must be learnt, not taught' MET Vol 6 No3 July 1997Ellis, Nick C 'Vocabulary acquisition: word structure, collocation, word-class, and meaning' in Schmitt and McCarthyGough, Cherry 'Words and words: helping learners to help themselves with collocations' MET Vol5 No1 Jan 1996Hill, Jimmie 'Collocational competence' ETP April 1999 Issue 11Hunt, Roger 'The Iron, the Which and the Wardrobe' IH Journal Issue No2 Nov 1996Lewis, Michael and Hill, Jimmie Practical Techniques for Language Teaching (LTP 1985) Lewis, Michael The Lexical Approach (LTP 1993)Lewis, Michael Implementing the Lexical Approach (LTP 1997)Lewis, Michael Teaching Collocation (LTP 2000)Lewis, Morgan 'Setting a good example' ETP Issue 22 Jan 2002Moon, Rosamund 'Vocabulary connections: multi-word items in English' in Schmitt and McCarthyNewton, Jonathan 'Options for vocabulary learning through communication tasks' ELT Journal Vol55/1 Jan 2001Read, John Assessing Vocabulary (CUP 2000)Schmitt, Norbert and McCarthy, Michael (eds) Vocabulary: Description, Acquisition and Pedagogy (CUP 1997)Sökmen, Anita J 'Current trends in teaching second language vocabulary' in Schmitt and McCarthyThornbury, Scott 'Reformulation and reconstruction: tasks that promote noticing' ELT Journal Vol51 October 1997Thornbury, Scott 'The Lexical Approach: a journey without maps?' MET Vol7 No4 Oct 1998Thornbury, Scott How to Teach Vocabulary (Longman 2002)
This article originally appeared in 'In English' - The British Council magazine for teachers of English in Portugal - in the Autumn 2002 issue.
Bruce Williams, teacher, British Council, Lisbon, Portugal

Tuesday, August 12, 2008

SITCOMS AND CARTOONS - WHICH ONE YOU FIND FUNNY? WHY ARE THEY POPULAR? (comparing and contrasting)




















Comparing and contrasting:
http://www.njcu.edu/cill/vol5/yardley.html (Talking about the Arts in the Writing Class by Gabriel Yardley) - discourse markers; poems; pictures) VERY GOOD WEBSITE

Unit 11 - FUNNY OLD WORLD (Countdown to First Certificate)

a cockpit of an aiplane
UP AND AWAY VOCABULARY:


- burst: 1 [I or T] to break open or apart suddenly, or to make something do this: Balloons make me nervous - I hate it when they burst. The river was threatening to burst its banks.Suddenly the door burst open (= opened suddenly and forcefully) and police officers carrying guns rushed in. FIGURATIVE HUMOROUS If I eat any more cake I'll burst (= I cannot eat anything else)!2 [I] to feel a strong emotion, or strong desire to do something: I knew they were bursting with curiosity but I said nothing. [+ to infinitive] INFORMAL I'm bursting to go to the loo!Tom was bursting to tell everyone the news.

- call out: to shout.

- cockpit: noun [C] the small enclosed space where the pilot sits in an aircraft, or where the driver sits in a racing car.

- come across: 1- to find something by chance: He came across some of his old love letters in his wife's drawer. 2- to behave in a way which makes people believe that you have a particular characteristic: She comes across really well (= creates a positive image) on television.He comes across as a bit of a bore in interview. 3- If an idea or emotion comes across in writing, film, music or when someone is speaking, it is expressed clearly and people notice it: What comes across in his later poetry is a great sense of sadness.

- come up with: to think of (an idea)

- criss-cross: to move or exist in a pattern of lines crossing something or each other: This area of the city is criss-crossed by railway lines.

- drift: [I usually + adverb or preposition] to move slowly, especially as a result of outside forces, with no control over direction: No one noticed that the boat had begun to drift out to sea. A mist drifted in from the marshes. After the band stopped playing, people drifted away in twos and threes. FIGURATIVE The talk drifted aimlessly from one subject to another.

- hover: 1 [I usually + adverb or preposition] to stay in one place in the air, usually by moving the wings quickly: A hawk hovered in the sky, waiting to swoop down on its prey. I heard the noise of a helicopter hovering overhead. 2 [I usually + adverb or preposition] to stand somewhere, especially near another person, eagerly or nervously waiting for their attention: A waiter hovered at the table, ready to take our order. I could sense him behind me, hovering and building up the courage to ask me a question. 3 [I + adverb or preposition] to stay at or near a particular level: Inflation is hovering at 3%.

- offshore (AT SEA) adjective, adverb away from or at a distance from the coast: offshore engineering ;an offshore breeze. The wind was blowing offshore.

- sun yourself: to lie or sit somewhere where there is a lot of sun, especially in order to make your skin darker: I sat on the balcony sunning myself.

- turn sth/sb down: to refuse an offer or request: He offered her a trip to Australia but she turned it/him down. He turned down the job because it involved too much travelling.

- turn out: 1- to happen in a particular way or to have a particular result, especially an unexpected one: As events turned out, we were right to have decided to leave early.How did the recipe turn out? 2- to be known or discovered finally and surprisingly: [+ to infinitive] The truth turned out to be stranger than we had expected.[+ that] It turns out that she had known him when they were children


Monday, August 11, 2008

COUNTDOWN TO FIRST CERTIFICATE- UNIT I











LOOK AT ME (PHYSICAL APPEARANCE AND CHARACTER)



Do you ever judge a person by the way they look? Why? What do you think about these people?




Describing appearance:
- Height: short, medium-height, tall.
- Build: well-built, of medium build, slim
- Hair colour: red, brown, black, fair
- Hair style: straight, curly, wavy
- Hair length: long, medium-length, short
- Eyes: blue, green, grey, brown, black
Vocabulary:
- freckle= a small pale brown spot on the skin, usually on the face, especially of a light-skinned person: He has red hair and freckles.
- mole= a small dark spot or lump on a person's skin.
- regal= very special and suitable for a king or queen: a regal manner.He made a regal entrance.
- wicked= morally wrong and bad

I CAN HEAR MUSIC - THE BEACH BOYS WITH KATHY TROCCOLI

http://www.youtube.com/watch?v=ICAsimtEsU8
http://www.youtube.com/watch?v=TTY9BRCg-Ec&NR=1

Ahhhhhh oooooo

This is the way
I always dreamed it would be
The way that it is, oh oh
When you are holding me
I never had a love of my own
Maybe that's why when we're all alone

I can hear music
I can hear music
The sound of the city baby seems to disappear
I can hear music
Sweet sweet music
Whenever you touch me baby
Whenever you're near

Lovin' you
It keeps me satisfied
And I can't explain, nono
The way I'm feeling inside
You look at me we kiss and then
I close my eyes and here it comes again

I can hear music
I can hear music
The sound of the city baby seems to disappear
I can hear music
Sweet sweet music
Whenever you touch me baby
Whenever you're near

I hear the music all the time, yeah
I hear the music, hold me tight now baby
I hear the music all the time
I hear the musicI hear the music (baby)

Ahhhhh

I can hear music
I can hear music
The sound of the city baby seems to disappear
I can hear music
Sweet sweet music
Whenever you touch me baby
Whenever you're near

Another song activity - I SAY A LITTLE PLAYER

clips available on Youtube:
http://www.youtube.com/watch?v=Ad-J4aaL_IQ&feature=related (Dionne Warwik)
http://www.youtube.com/watch?v=-uE1Dho_3UA&feature=related (Whitney Houston & Natalie Cole)

I SAY A LITTLE PRAYER
DIONNE WARWICK

The moment I wake-up
Before I put on my make-up
I say a little pray for you
While combing my hair now,
And wondering what dress to wear now,
I say a little prayer for you

Forever, and ever, you'll stay in my heart
and I will love you
Forever, and ever, we never will part
Oh, how I love you
Together, together, that's how it must be
To live without you
Would only meen heartbreak for me.

I run for the bus, dear,
While riding I think of us, dear,
I say a little prayer for you.
At work I just take time
And all through my coffee break-time,
I say a little prayer for you.

Forever, and ever, you'll stay in my heart
and I will love you
Forever, and ever we never will part
Oh, how I'll love you
Together, together, that's how it must be
To live without you
Would only mean heartbreak for me.

I say a little prayer for you

I say a little prayer for you

My darling believe me, ( believe me)
For me there is no one but you!
Please love me too (answer his pray)
And I'm in love with you (answer his pray)
Answer my prayer now babe (answer his pray)

Forever, and ever, you'll stay in my heart
and I will love you
Forever, and ever we never will part
Oh, how I'll love you
Together, together, that's how it must be
To live without you
Would only mean heartbreak for me (oooooooooh)